The 1970s: an era marked by disco, the rise of blockbuster cinema, and groundbreaking movies that continue to inspire filmmakers today. Yet, as in every golden age, there are those works that don’t exactly glitter. From poorly executed science fiction experiments to ham-fisted attempts at social commentary and from parodic horror mishaps to musical missteps, the ’70s also brought us films that, for various reasons, left critics and audiences bewildered. While some of these cinematic endeavors have since been reclaimed by cult followings, relishing in their campiness, others remain in the annals of film history as cautionary tales. Journey with us as we delve into the 18 most confounding films from this decade, as ranked by IMDb.
Zaat (1971):
In this low-budget science fiction film, Dr. Kurt Leopold, a marine biologist, becomes a giant catfish-like creature after experimenting on himself. As he takes revenge on his naysayers, the movie becomes a mishmash of absurdity. Critics and viewers alike lambasted “Zaat” for its pacing, implausible storyline, and cheesy special effects.
“The Thing with Two Heads” (1972):
A tale of ill-conceived racial commentary, this film sees a white racist man’s head grafted onto a black man’s body after a medical procedure. Critics found it a ham-fisted attempt at discussing race relations, hindered by poor special effects and absurd situations.
“The Incredible Melting Man” (1977):
Astronaut Steve West undergoes a horrific transformation, melting after exposure to space radiation, and then embarks on a killing spree. Critics took issue with its thin plot and subpar effects, although some have since lauded the makeup work.
“At Long Last Love” (1975):
Directed by Peter Bogdanovich, this musical romantic comedy, which aimed to pay tribute to classic Hollywood, fell flat. Critics found it tedious and lacking in charm, making it a notable misstep in Bogdanovich’s otherwise celebrated career.
“Santa and the Ice Cream Bunny” (1972):
Santa Claus finds himself stranded in Florida when his sleigh breaks down, leading to a series of strange rescue attempts culminating with the Ice Cream Bunny. Widely panned for its nonsensical storyline and subpar production values, it’s often labeled a cinematic disaster.
“Plan 9 from Outer Space” (1959, re-released in 1971):
Often dubbed the “worst movie ever made,” this Ed Wood creation sees aliens resurrect Earth’s dead. Despite achieving cult status, it’s notorious for its poor effects, disjointed plot, and wooden performances.
“Exorcist II: The Heretic” (1977):
This sequel to the iconic horror film “The Exorcist” focuses on the aftermath of Regan’s possession. Unfortunately, it fails to recapture the original’s horror and intensity, earning the ire of critics and fans alike.
“The Star Wars Holiday Special” (1978):
Venturing far from the beloved Star Wars narrative, this TV special centers on Chewbacca’s return home for “Life Day.” Even the most devoted fans find it hard to defend its disjointed segments and deviation from the series’ tone.
“Skatetown, USA” (1979):
Aiming to capture the zeitgeist of the roller disco era, this film follows a roller-skating competition and its attendant drama. Critics lambasted it for its thin plot and weak performances, deeming it a failed cash grab.
“Can’t Stop the Music” (1980):
This pseudo-biographical tale of the Village People’s formation has become emblematic of campy excess. Despite its dance numbers and vibrant portrayal of disco culture, critics found it disjointed and lacking narrative coherence.
“Tentacles” (1977):
A giant octopus becomes the terror of a seaside town in this B-movie horror. Critics often deride it for its lackluster effects, implausible storyline, and its less-than-impressive attempt to emulate better creature-features.
“Hercules in New York” (1970):
Starring a young Arnold Schwarzenegger as Hercules, this film tells the story of the Greek hero’s adventures in modern-day New York. Critics widely panned it for its poor dubbing, weak plot, and kitschy approach to mythology.
“The Terror of Tiny Town” (1938, re-released in the ’70s):
Unique for its all-little person cast, this western, while a novelty in the 1930s, faced criticism during its ’70s re-release for its exploitative premise and lack of narrative substance.
“Night of the Lepus” (1972):
A town’s inhabitants face terror from oversized, mutated rabbits in this film. Critics often mock its premise, noting the challenge of making rabbits seem menacing, and its poor effects further undermined its credibility.
“Dracula vs. Frankenstein” (1971):
In a showdown between two iconic monsters, neither Dracula nor Frankenstein’s monster shines. Critics often deem it a hasty mashup with a convoluted plot and lackluster performances.
“The Swarm” (1978):
Despite its all-star cast and sizable budget, this film about a town attacked by killer bees failed to resonate with audiences. Critics found its plot melodramatic and its horror elements underwhelming.
“Attack of the Killer Tomatoes!” (1978):
As tomatoes turn murderous, this film parodies B-movies with its intentional absurdity. Though some enjoy its campy humor, many find its production values lacking and its premise too silly.
“The Neptune Factor” (1973):
In this underwater adventure, rescuers encounter gigantic sea creatures, but the film fails to make a significant splash. Critics have highlighted its uninspiring storyline and subpar special effects as major downfalls.
